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I have this in my K collection as well, so stoked that it (along with The Long Walk) received the cinematic treatment. Up until this point, the UK Studio Canal edition 4k disc has been the reference; better encode/grading across the board. But I’m really intrigued with the new cinematic version.Downloading 'Fifth Element' in Cinematic DV and Cinematic HDR - will give both of them a spin to observe which version is better.
Fifth Element 4K UHD was a big improvement but still looks dated - I am hoping Cinematic will put some life back into this reference movie.
I mentioned this on my podcast last week, but I had a couple of enthusiasts come visit for demos a week ago Saturday. We demoed everything on the Strato K and had them experience both of my rooms. I showed them the same clip in Minecraft in 4KC vs. not that I had showed my family. Both were clear they could see a positive difference in 4KC for all the reasons that have been covered. I very remain pleased with what the K and 4KC brought have us.
Looking forward to Mando and He-Man, both hopefully hitting this week!
I’ll be checking this one out too when I get home from work today. The original 4K UHD was the first movie I saw in 4K way back in 2017. I then upgraded to the SC disc for DV, then got another copy in the Luc Besson set. Now it’s 4K Cinematic. I feel this is one of those movies that I am always happy to rebuy. 8K next?Downloading 'Fifth Element' in Cinematic DV and Cinematic HDR - will give both of them a spin to observe which version is better.
Fifth Element 4K UHD was a big improvement but still looks dated - I am hoping Cinematic will put some life back into this reference movie.
Just sell it for what you paid for it.I’ve spent considerable time directly comparing the Strato K with my Strato V in a dedicated theater using a JVC NZ800, Seymour acoustically transparent screen with masking, Trinnov Altitude 32, and an 11.4.8 speaker layout. I tested multiple 4K Cinematic titles, including Top Gun: Maverick, Project Hail Mary, Avatar 3, F1, Moana, Jurassic World, Avengers: Infinity War, Mission: Impossible 8, and Super Mario Galaxy. In my room, I found no meaningful or repeatable improvement in sharpness, detail, compression, HDR, or overall image quality versus the Strato V. Dolby Vision titles still showed 4:2:2 media/output, while 8K output was simply 4K upscaling at 4:2:0. The only obvious difference was Moana, which looked oversaturated and more like a title-specific Dolby Vision color issue than a genuine improvement. At this point, I’m disappointed and struggling to justify the $5,000 upgrade.
It's helpful to see posts like this. I've been a bit suspicious of the near universal euphoria. I'll probably still end up getting one eventually, but I want to have realistic expectations about it.I’ve spent considerable time directly comparing the Strato K with my Strato V in a dedicated theater using a JVC NZ800, Seymour acoustically transparent screen with masking, Trinnov Altitude 32, and an 11.4.8 speaker layout. I tested multiple 4K Cinematic titles, including Top Gun: Maverick, Project Hail Mary, Avatar 3, F1, Moana, Jurassic World, Avengers: Infinity War, Mission: Impossible 8, and Super Mario Galaxy. In my room, I found no meaningful or repeatable improvement in sharpness, detail, compression, HDR, or overall image quality versus the Strato V. Dolby Vision titles still showed 4:2:2 media/output, while 8K output was simply 4K upscaling at 4:2:0. The only obvious difference was Moana, which looked oversaturated and more like a title-specific Dolby Vision color issue than a genuine improvement. At this point, I’m disappointed and struggling to justify the $5,000 upgrade.
I find the 12-bit (11.5 according to Dolby) 4:2:2 CDV works better than the 4:4:4 10-bit CHDR10 on my 4KM15 as well. Gradations look cleaner with CDV when watching the Crime 101 credits.Interstellar Cinematic DV - what a great picture, the best way to watch this movie, like watching it first time (I have watched it several times before).
I am loving CDV deleted CSDR and CHDR10...on all movies ...
CDV is the way to go imho. How did you find the audio on cinematic? The audio for interstellar is badass in any case.Interstellar Cinematic DV - what a great picture, the best way to watch this movie, like watching it first time (I have watched it several times before).
I am loving CDV deleted CSDR and CHDR10...on all movies ...
Audio is superior on the K - Playing Fifth Element Ripped Disc on the Uoogos the beginning scenes bass is loud and boomy as compared to CDV on the K is loud but very defined.CDV is the way to go imho. How did you find the audio on cinematic? The audio for interstellar is badass in any case.
I find the 12-bit (11.5 according to Dolby) 4:2:2 CDV works better than the 4:4:4 10-bit CHDR10 on my 4KM15 as well. Gradations look cleaner with CDV when watching the Crime 101 credits.
I have a Lumagen 4xxx, which can't take advantage of 4:4:4 input, and am waiting for the Artisan.Wilson - what VP are you using? Please note my comments above.
Very good chance even with the Artisan you may stick with CDV which has higher bit depth (more important than Chroma) and if you like the look of DV.... Jim Peterson prefers DV over HDR10 for Lumagen DTM.I have a Lumagen 4xxx, which can't take advantage of 4:4:4 input, and am waiting for the Artisan.