My understanding is that K requests the full theatrical assets when producing their audio encodes.
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Good explanation and makes sense. However reg the last point, they did put it (5.1) on the UK disc. The US disc is 3.0.There is generally a separate mix process for home release, but unless it's been a restoration many years later, I don't see any reason to think they would add surround for home on an initial release. Something like this without surround and without a lot of dynamics in the mix may have bypassed the separate home mix, but I have no evidence to back that up.
"Converted it to 5.1" is not how I would put it. Taking the surround sound stems and putting them into the process is technically a conversion, but it doesn't change channel alignment. If you cut off one of your fingers and put on a glove, you'll just have an empty finger hole in the glove. If you put a 3.0 folder into a preset for 5.1, it will come out with 3.0 audio in a 5.1 container, and silent channels. The "conversion" process is not doing any alteration to the mix or the channel alignment, it's just creating a DTS file instead of (likely) individual .wav files for each channel.
The studio also could've exported a set of 5.1 .wav files that only had audio on the 3 front channels.
I'm just saying that there's not likely a 5.1 mix, though I could be entirely wrong. Maybe they originally were going to do a 5.1 mix for theatrical and then decided to drop to 3.0. Maybe they really did take the 3.0 mix and create a 5.1 mix with an upmixer. I don't know what happened. But IMDB indicating it was a 3.0 theatrical mix tells me it's more likely that the mix was always intended to be 3.0 and either the Kaleidescape mix is 3.0 in a 5.1 container or they did some sort of automated 5.1 mix at the studio level (Kaleidescape is contractually prohibited from altering the actual mix), but even that is unlikely or they would have put that on the disc as well.
K receives the studio's home video mezzanine files just like Apple (iTunes), Amazon (Prime), Google (Play), Fandango (Vudu), etc. On occasions where these files only contain lossy immersive audio (Atmos) K may request if lossless is available. But, that's it. No theatrical assets (DCP) at play.My understanding is that K requests the full theatrical assets when producing their audio encodes.
Best Selling DVD of all time with nearly 40M sold! It’s crazy to think this single title generated nearly as much revenue as all (movie) physical media last year. Oh how times have changed,Finding Nemo gets a 4k Cinematic Dolby Vision upgrade![]()
I can't imagine this thing won't make your eyes bleed in 4KC.Best Selling DVD of all time with nearly 40M sold! It’s crazy to think this single title generated nearly as much revenue as all (movie) physical media last year. Oh how times have changed,
Gone with the Wind….in 4K-Cinematic….![]()
HD updated to Dolby TrueHD Atmos from DTS-HD Master 7.1Finding Nemo gets a 4k Cinematic Dolby Vision upgrade![]()