Nice theater!I’m running 5.2.4, and I leave DTS Neural X on all the time, but shouldn’t have done anything to an Atmos track.
This is my setup:
Othello Cinema
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Nice theater!I’m running 5.2.4, and I leave DTS Neural X on all the time, but shouldn’t have done anything to an Atmos track.
This is my setup:
Othello Cinema
www.avsforum.com
The Neural X isn’t doing anything, since the source track is Atmos.
My speakers are ultra-efficient, but you have plenty of juice running yours as well so there shouldn’t really be any issue.
Thanks! Just finishing things up.Nice theater!
Agreed, very nice, I've heard really good things about the NextLevel Acoustics speakers!Nice theater!
Hi folks,
We checked with our contacts at the studio, and we are told that the audio mix on the film is as intended by the director.
This settles it. We must respect the film maker’s creative vision and artistic intends. I have watched many films with “intended” underwhelming audio mixes because the director wanted the audience to focus more on the dialog or certain other aspects of the film.Hi folks,
We checked with our contacts at the studio, and we are told that the audio mix on the film is as intended by the director.
Mixing for soundbars.We purchased the Flash on pre-order but for various reasons only got around to watching it over the weekend. The sound was completely underwhelming and I had to crank it up to get it to sound ‘OK’ which ties in to one of the earlier comments. It was a bit of a distraction after that which was annoying. I can understand the Director wanting a particular sound/tone to the movie’s audio/soundtrack but I am struggling to understand what requirement there could be to set the sound level that much lower than usual. I do have the feeling that too many Directors fail to leverage the power of the audio mixes. They recognise the power of the music etc but too often miss a trick
We purchased the Flash on pre-order but for various reasons only got around to watching it over the weekend. The sound was completely underwhelming and I had to crank it up to get it to sound ‘OK’ which ties in to one of the earlier comments. It was a bit of a distraction after that which was annoying. I can understand the Director wanting a particular sound/tone to the movie’s audio/soundtrack but I am struggling to understand what requirement there could be to set the sound level that much lower than usual. I do have the feeling that too many Directors fail to leverage the power of the audio mixes. They recognise the power of the music etc but too often miss a trick
Ha! Yes. A friend just posted on social media over the weekend that his grade school kids pointed out that it was so refreshing to go see a movie that didn't require homework.I never got past the first 15 mins or so because of the sound :-( Yes, I could crank it up but that ain't the point and I"m not exactly running Sonos. (no disrespect to Sonos). What @Oldred says above, it's a distraction! I'm bored of superhero yawn movie tied to movie because of movie etc... funny the director managed to stick the last nail in the coffin for me LOL (DC and Marvel)