Happily settle for any of them.
Me too, and apologies for the slight off topicness but my impression of those 2 movies' soundfields ... it may change once I hear the update here.
There are 2 types of immersive soundfields.
Allocentric where you are in a rectangle and the sounds come primarily from the front direction with ambience in the rears, while it creates a good attachment to the screen action, this has evolved from classical music performances, which can only be traced back to choral music in large cathedrals, 300-700 AD. Humans have been hearing our surroundings for longer than that so our involuntary full embracement of Allocentric Soundfields have not really fully dug into our DNA I argue.
Egocentric sound fields are those where we are more evenly 360 degrees enveloped, in the seventies Quad gave us that quite well. Prehistoric Neantherdalls found precise spots inside caves where primitive percussive devices' echoes mimicked certain animal huff beats, they then painted there the animal best matching the huffbeats playback phenomenon. Altamira Caves 8 legged Boar. The first immersive cinemas 16,000 bc, Africa giant rock circle valley 60,000 years, and Druid sacrificial stone circles in Aberdeen Scotland 3,000 BC, where the screams of the sacrificed and bone crunches created a wonderful 360 degree surround effect mid circle. Axiomatically our DNA favors Egocentric soundfields. My 4 year Quest for the perfect Kaleidescape script is a curation of the most extreme Egocentric clips in the K library with the exception of some eye candy allocentric scenes.
Let's wait for the updates, but as of now Alita and Ford vs F are closer to allocentric just like A Star Is born while Underwater is an egocentric soundfields' junkie's diamond. As you read this I may come across as a crackpot, but you have the script, give it a spin....
In any event, you now have insight into why my signature reads" get back to the future". Lol . No more off-topic, Jim.
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